![]() ![]() ![]() Wells, Gladys Bentley, and Jackie Mabley – and even occupy space in the official historical accounts of the period. Other characters have names – such as Ida B. Some of these women lack names – Girl #1 ‘wanders through the streets of Philadelphia’s Seventh Ward and New York’s Tenderloin’, and ‘the Chorus’ refers to ‘all the unnamed women of the city trying to find a way to live and in search of beauty’ (p. And yet, in finding new ways to live against, under, and despite these modes of control, Hartman’s young black female visionaries enacted their freedom as a rejoinder to anti-blackness. These conditions constituted a pervasive climate of anti-blackness. They consistently found new ways to live, new ways to be alive, in the face of economic exclusion, material deprivation, racial enclosure, and social dispossession thrust upon black intimate life. Hartman’s book uncovers revolutionary potential in the everyday practices that animated the lives of these women. ![]()
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